|
Where?
What?I Think I DoUSA 1997 90minDir: Brian Sloan Anyone who still aches from either a unfulfilled romance, or who has attended a reunion of people you love but can't always get along with, or had second thoughts about a commitment, will immediately recognise the characters in this comedy from writer/director Brain Sloan. Alexis Arquette stars as Bob, a soap opera writer, torn between his stud actor boyfriend and the guy he was obsessed with in college, who has since come out. It's a door slamming, date swapping good time. There is a lot of endearing silliness here, but thankfully the kookiness of the characters isn't overdone. I Think I Do is a pleasant, well-acted, cheerful thingy perfect for a rainy afternoon trip to the movie theatre, an American comedy with a very British feel to it, witty ironic repartee with a light screwball touch, call it "Three Days, Two Couples, One Wedding and No Funerals". GriefUSA 1993 86minDir: Richard Glatzer Mark, a young hack writer for a hysterically bad daytime divorce court series has yet to come to grips with the loss of his lover, but life and work must continue. His boss Jo (renowned drag diva Jackie Beat) keeps both him and his writing partner, Jeremy, creating episodes about painful divorces of nympho-maniacal opera singers, lepers and warring dog trainers. If this doesn't sound bad enough Mark has also developed a crush on Bill (Alexis Arquette) a 'straight' co-worker who is going through some relationship problems. This quirky, bittersweet comedy by debut writer/director Richard Glatzer features some skilful work from the cast and the entertaining script deals intelligently with issues that mainstream cinema will never touch. FriskUSA 1995 83minDir: Todd Verow Dennis is a teen is attracted to violent sexual behaviour. After meeting a masochist who had posed for simulated snuff photos, Dennis begins to acknowledge his sexual obsessions and dark violent fantasies in diaries and letters to his friends. At first acting alone but finding these solitary pursuits unsatisfactory, he meets up with a pair of thrill seekers who share in his homicidal desires. They pick up a hustler (Alexis Arquette) for some fun. Director Todd Verow using avant-garde techniques intelligently poses the question of the banality of evil and implicates the audience in its chilling moral ambivalence. Viewers are advised of the graphic nature of this film. Those sensitive to scenes of violence and sex are warned accordingly. East Palace West PalaceChina 1996 90minDir: Zhang Yaun Scheduled for the Film Festival last year but banned by the Chinese authorities East Palace West Palace (Chinese slang for the toilets on the edge of Tiannamen Square) is the tale of the arrest of a gay writer and the subsequent seduction of his captor. The shameless writer tells his story, most of which seems to have been designed to provoke his interrogator to challenge his own sexuality. This startling and controversial film, the first Chinese film to deal openly with homosexuality, ran into trouble because, the authorities claim, there are no queers in China. The powers that be confiscated director Zhang Yuan's passport and prevented both him and the film from attending the 1997 Cannes Film Festival and the 1997 SA Gay & Lesbian Film Festival. Gods and MonstersUSA 1998 105minDir: Bill Condon Brendan 'George and the Jungle' Fraser and legendary gay icon Ian McKellen, star in a film which reveals that true friendship and compassion can surpass all the boundaries of prejudice. Director Bill Condon brings the life of James Whale, the legendary director of the old Frankenstien movies, to the big screen. Hustler WhiteUSA 1996 77minDir: Bruce LaBruce An exploration of seedy Santa Monica Boulevard the film stars model and Madonna video star Tony Ward as Monti, a hustler who becomes an object of obsession for out-of-towner Jurgen Anger (Bruce LaBruce). As Jurgan pursues Monti around the Boulevard, the film delves into the lives of other characters operating in the area, including a born again C&W singer, an ageing masochist who gets off on razor blades, and Ron Athey as a mortician and snuff specialist. Most memorable are the hit and run victim and the amputee fetishist, who come together in a brief but tender scene. LaBruce confirms himself here as a subversive talent whose sensibilities while shocking to some are essentially comic and romantic. Boy George described this film as 'pornography disguised as art house cinema'. Everything RelativeUSA 1995 110minDir: Sharon Pollack Take seven gals, old friends, to the country for the weekend, with their secrets, a new baby, a new lover and a lot of baggage and watch the exteriors slip, the rivalries dissolve and lust erupt. There's Katie, the therapist and Vick, whose stuck in the closet door; Sarah, the het who longs to breed; Luce, the stunt woman with stomach muscles to cream for, and baby dyke Candy who totally missed 'coming out'. Josie's the melancholic writer who lost her heart to Maria, who's just lost her kids to her ex-husband; and Gina, the glam ex-hooker, whose barbed unavailability is about to be assailed. Anticipating each other's chat-up lines, mocking their life story clichés, the women move from reminiscing to questioning their 90s values around money, family and love. Chocolate BabiesUSA 1996 83minDir: Stephen Winter Energetic, witty and poignant follow the exploits of queers of colour, a motley cruise of terrorists who fulfil every AIDS activist's fantasy. They run rampant through Manhattan targeting recalcitrant politicians, CEOs, closet homosexuals and religious demagogues for exploiting the AIDS/HIV epidemic and doing nothing to stop the crisis. But these babes are no saints - there are sexual shenanigans, drugs, prostitution and an abiding obsession with style, glamour, makeup and divas. As they rip and roar through the town, making this world a safer place for you and me you can't help but be astounded by their defiance, their clothing and style and be touched by their loyalty to each other and their dedication to their cause. Some Prefer CakeUSA 1997 96minDir: Heidi Arnesen Kira is a stand up comic with severe stage fright and a knack for picking up women - allowing her to conveniently bypass the intimacy of a relationship. Her best friend Sydney is a food obsessed wannabe restaurant critic, with a gastronomic metaphor for every romantic encounter and a habit for getting herself into uncomfortable social situations. The film follows their wacky adventures as they navigate lust, love, jealousy, lesbian power brunches and Kira's continual one-nightstands. Jam-packed with wry insights into the shifting dynamics of friendship and the joys of new romance, Heidi Arnesen's debut has been an audience favourite at Outfests around the world. See it with someone you'd like to have for dessert. DakanGuinea/France 1997 90minSubtitled Dir: Mohamed Camara Dakan boldly opens with an explicitly homosexual scene, a first for African cinema, in which two men passionately embrace. Made clandestinely in Guinea, this is a tale of the battle between love and social convention. Manga and Sory are the only offspring of single parents and though they try to conform to the requirements of family, they cannot. In coming out they become invisible and though there is no word to describe their love there are traditions, rituals tailored to cure such deviancy. Dakan is an important film, it challenges the notions that there is a universal gay culture and that homosexuality is unAfrican. Mohamed Camara, a Festival guest will introduce screenings of Dakan. He travels courtesy of the French Institute in South Africa. Only the BraveAustralia 1994 59minDir: Ana Kokkinos Alex and Vicki are wild, torching hedges, smoking dope, and hanging out in and out of school, loyal only to each other. They dream of escaping to Sydney and finding Alex's mother. But the grounds for hope can waver as quickly as schoolyard loyalties and growing up tough in a Melbourne suburban fringe is a journey for only the brave. This is a wrenching portrayal of surviving the snares of family and personal desires in a world that seems to have no place for you, no place you want to be. Kokkinos' vision of the teen warzone of ragged emotions, sex, boredom, the pervading sense of abandonment, of longing is all too real. Elena Mandalis and Dora Kaskanis are a revelation as the Australian-Greek girls walking the tightrope between adolescence and adulthood. Kokkinos' Head On is also being screened at the Festival. The Man who drove with MandelaSouth Africa/ U.K 1998 83minDir: Greta Schiller South Africa in the 50s and early 60s. Gay men dance in their underwear on Durban Beach. Danny Kaye strips down and joins in the fun at the minedances. Bannings, Detentions, arrests. Outside Howick, in August 1962, police pull a chauffeur-driven Austin Westminister off the road. The 'chauffeur' is Nelson Mandela. The man he is driving is Cecil Williams, prominent theatre director and gay man, a Johannesburg society figure shuttled between two underground subcultures - the hidden world of homosexuals, and the secret world of anti-apartheid communists. Now his 'chauffeur' is President of the first country in the world to protect explicitly from discrimination in its constitution. Could Cecil Williams have had anything to do with it? The film features unseen archival material of gay and activist lifestyles of the time and was written and researched by Mark Gevisser. A patiche of documentary and fiction styles, 'The Man Who Drove With Mandela' features unseen archival material of gay and activist lifestyles of the time. Brandon Teena StoryUSA 1997 90minDir: Susan Muska & Greta Olafsdottir 21-year-old gender bender Brandon Teena, so the girls said, 'knew how to treat a lady' much to the chagrin of her friends two men who discovered her real identity. On Christmas Eve 1993 they raped Teena and on New Years' Eve they murdered her (and two friends) to prevent her testifying against them, to stop her undermining their manhood. Bleak and scarily candid footage of the girlfriends, the murderers and the police make this documentary a terrifying indictment of working class rural America, the small minded consumers of endless talk shows, themselves willing to reveal all. Rumour has it Hollywood wants to tell the tale. Get the facts here first. My own CountryUSA 1998 95minDir: Mira Nair This is the story of Abraham Verghese, born in Ethiopia and later educated in India. He found his home in rural Tennessee, working in the local hospital as an infectious diseases specialist. It was there he encountered among the first reported cases of people with HIV+ and AIDS and met the most extraordinary ordinary people. There's Vicky Tally, an earthy trucker's wife who has contracted the virus from her husband. Mattie, Christian and deeply compassionate watching over her brother Gordon. Chester and Langdon, ageing homosexuals who are charming in their steadfastness to each other; and lastly, isolated and lost by their fear of stigma, are the conservative Christians Hope and Lloyd. Nair has coaxed the most heart stopping performances from her cast, particularly Glenne Headly (Vicky) and Oscar winner Marisa Tomei (My Cousin Vinnie, Unhook The Stars) as Mattie. Others of the cast are Naveen Andrews ('Kip' in the English Patient) and Swoozie Kurtz (Sisters) Humorous and compassionate this is an 'AIDS' movie with a difference. Mira Nair is the award-winning director of Salaam Bombay, Mississippi Masala and Karma Sutra. Screenings are in aid of NAPWA, Wola Nani, AIDS Law Project and Triangle Project and, we are delighted to announce, will be introduced by Ms. Nair. We thank Showtime for their permission to screen the film. Love is the DevilUK 1998 90minDir: John Maybury The controversial life of Francis Bacon, the greatest contemporary artist of our time, has finally made it to our screens. Director John Maybury, who previously collaborated with Derek Jarman, has made an unconventional biopic. Bacon's life story is seen through the eyes of George Dyer, Bacon's lover and muse, a working class kid who literally fell into Bacon's bed while attempting a burglary. The film is based on 'true' stories and on documented events in the lives of the characters. High ArtUSA 1998 101minDir: Lisa Cholendenko Syd, naïlve and idealistic, has a leak in her ceiling. This leads to a chance meeting with Lucy Berliner, an urbane, sophisticated and once celebrated photographer (who curiously retired in mid career) and her heroin addicted girlfriend, a former actress for Rainer Werner Fassbinder. Offered a choice between her cold apartment and the sensual narcotic world which Lucy and Grete represent, her choice seems clear. Writer/director Lisa Cholodenko's debut feature, the toast of both the 1998 Sundance Film Festival and the Directors Fortnight at Cannes, goes beyond a feel good lesbian movie. Instead it offers us an astute meditation on the lethal concoction of love and ambition, identity and addiction, all laced with a dark, laconic wit. Head OnAustralia 1997 104minDir: Ana Kokkinos A Full-On All-Night Come-On. Amyl Nitrate, Semen and Sweat. Produced by Jane Scott of Shine fame. In her debut feature director Ana Kokkinos gives us 24 hours in the life of Ari, a nineteen year old Greek Australian who is a little confused and very pissed off. He jams all his energy into one wild night of dancing, sex and drugs. In the process he's running headlong into his own kind of freedom. The Turkish BathItaly/Turkey 1997 96minSubtitled Dir: Ferzan Ozpetek A highly accomplished and stylish film debut from Ferzan Ozpetek. The cool, almost chilly Francesco, played by Alessandro Gassman, travels to Istanbul to claim an inheritance from his aunt which turns out to be one of the cities last remaining Turkish Baths. The warmth of this new environment opens up new avenues for personal exploration and a love affair develops between him and the Mehmet. This beautiful, lush and stunningly photographed film, a contemplation on identity, was Turkey?s nomination for the Best Foreign Film Academy Award but was withdrawn by the Turkish Ministry of Culture allegedly for its bisexual theme. Broadway DamageUSA 1997 110minDir: Victor Mignatti A good-natured, openhearted romantic comedy of three friends in search of a life, unfortunately nothing goes as planned. Marc, a struggling thesp, falls in love with 'dreamboat?'David, while Robert, an aspiring musical comedy writer is in love with Marc. The third party in this trio of disasters is Cynthia whose literary career is on hold since magazine editor Tina Brown won't return her calls. This is an hilarious antidote to cynicism - if you need cheering up this is the film for you. Pianese Nunzio, 14 in MayItaly 1996 114minSubtitled Dir: Antonio Capuano Pianese Nunzio has the voice of a songbird, the body of a young David and the desire to become a priest. His friend and mentor, Father Lorenzo Borrelli, has the conviction of a religious man and the courage to fight the local Mob. He also has a sexual relationship with Nunzio. Director Antonio Capuano's brilliant second feature takes place in a poor Naples neighbourhood where the Mob rules. Father Lorenzo has rejuvenated the local parish with fiery sermons and anti Mafia newspaper editorials. But the mob fights back, seeking to discredit Father Lorenzo by using his relationship with Nunzio against him. A dynamic and morally complex tale that reflects on the nature of crime, guilt, sexuality and God. Pianese Nunzio captures the chaotic rhythm and decaying beauty of Naples not only in its music and cinematography, but also in the ambiguous friendship between an earnest young man and a priest who believes that 'eroticism is sanctity.' Relax! It's Just SexUSA 1998 108minDir: P. J. Castellaneta Tackling the issue of sex in the 90?s with humour and sensitivity. Featuring an incredible ensemble cast ranging from hot up-and-comers (Mitchell Anderson of Party of Five) to Academy Award nominees (Jennifer Tilly) the film takes a sometimes hysterical, sometimes serious look at relationships today. Relax! is the story of struggling gay playwright Vincy (Anderson) who is desperately searching for a boyfriend. His friends are no help, they have to many problems of there own. Tara (Tilly) wants to get pregnant but her boyfriend keeps falling asleep. Lesbian couple, Sarina and Megan are breaking up because Megan had an affair with Sarina?s cousin. Witty, poignant and intelligent - a film with something for everyone. Shooting PornUSA 1997 70minDir: Ronnie Larson A probing and in depth look at the gay porn industry. Why do porn stars shave their pubic hair to look like Hitler's moustache? What is a 'stunt cock'? If you'd like to know the answer to these and many other pressing questions then this is the film for you. Director Ronnie Larsons brilliantly confirms and contradicts our expectations of the gay porn industry, taking us on a voyage to two very different sets presided over by two very different directors. Viewers are warned of the graphic nature of this film. UncutCanada 1997 90minDir: John Greyson Snoop snoop, snip snip, the irrepressible John Greyson (Zero Patience, Lilies) returns with a fabulously audacious new film, starring Matthew Ferguson from The English Patient. Combining Greysons take on the controversial practice of circumcision with a fierce analysis of copy-write infringement and censorship, Uncut is a densely layered, delirious romp in which ideas are hurled at blistering speeds. Greysons own words best describe the plot, 'A grade student named Peter is obsessed with Pierre Trudeau. A grade student named Peter is obsessed with circumcision. A Jackson Five fan named Peter wants to break into broadcast. They meet, make love, make art and they get busted (the policeman sings opera).' After a serious of strange and absurd misadventures, the three Peters end up in a prison labour camp together. If this sounds bizarre, it is. Combining elements of Soap Operas, musicals, documentaries and avant-garde cinema, the pop art explosion of uncut will knock you out. The Midwifes TaleUSA 1995 75minDir: Megan Siler Tell me a bedtime story, demands the child, and so begins the tale of the restless Lady Eleanor, rich and powerful, mistress of all that she surveys - until she enters a loveless marriage with the Lord William. His preoccupation is that her preoccupation should be continuing his line. She has bad dreams, anticipating her death in childbirth like her mother before her. She seeks out the midwife, Margery, only to find that she has been incarcerated for practising witchcraft. The beautiful midwife Gwenyth comes to Eleanor's aid. There is a powerful attraction between the women. What next? How will it all end? There's such a sweet twist to the ending of this childhood fantasy. MURDER and murderUSA 1996 113minDir: Yvonne Rainer Mildred (mid 50s) and Doris (early 60s) two women who become lovers and decide to set up house together. Mildred is a tenured professor in the Department of Women?s Studies at a large northeastern university, a lesbian for most of her adult life and of upper middle class origin. Doris in contrast has never had a steady job or predictable income, comes from a poor family, never attended college, and has raised Flo, her grown daughter, single handedly. Now trying to be a performance artist she finds herself in love with a woman for the first time. Mainly from Doris's perspective the film investigates the pleasures, uncertainties, and ambiguities of late life emotional attachment and lesbian identity within the confines of a culture that glorifies youth and heterosexual romance. A parallel narrative unfolds via the commentary and presence (invisible to the two main protagonists) of three other characters. Yvonne is the filmmaker herself who periodically pops up to trouble the narrative with the asymmetries of her mastectomized chest and inquires into the politics of breast cancer. Her role dovetails with that of Doris, who, two thirds into the film, undergoes a mastectomy. Jenny, Doris's 60 year old mother, and young Mildred, Mildred's 18 year old incarnation, are the ghosts from the past who are seen by the spectator as haunting the present, but they also occupy their own respective time zones. While appearing as Doris's mother Jenny (who died at age 78) also plays herself as an eighteen year old factory worker in a 1915 bathing costume (she works in a pre WW1 corset factory and visits Steeplechase Park with her girlfriends on days off). Young Mildred, Jenny's companion in mischief, is a budding intellectual with the power of prophecy. Murder and murder - insofar as it deals concurrently with 'Deviant' sexuality, female aging, and breast cancer - sets in motion an unholy grouping that will inevitably reflect popular (mis) perceptions and medical bias about disease. It is a primary project of the film to both articulate and challenge these culturally and scientifically determined perceptions. Through humor, slapstick, visual metaphor, and whole panoply of formal and discursive strategies, notions of pathology are successively invoked and dismantled. Opposite of SexUSA 1997 100minDir: Don Roos Whether in spite of or in reaction to the dulling effect of political correctness, there is a bold new movement in the independent film world. Comedies are leading the pack this year, and non-is as refreshing as the darkly sardonic romp The Opposite of Sex. Bill (Martin Donovan) is gay. An English teacher in a quaint Indiana town, he lives with his sexy new boyfriend Matt (Ivan Sergei), who is also gay (or so you would think) and spends time with his best friend Lucia (Lisa Kudrow), the sister of his late lover. Enter Dedee (Christina Ricci), Bills sixteen-year-old half sister who comes from a lot further then the wrong side of the tracks. Dedee, who makes Hayley Mills look like Saint Bernadette, arrives unannounced and wrecks havoc on the lives of everyone she encounters. It is not surprising that the Opposite of Sex is full of ironic, dry wit. Don Roos, an established screenwriter (Love Field, Single White Female and Boys on the Side) making his directing debut, knows how to extract comedy from the truth. He and the cast create moments that walk the line between camp and pathos. You don?t have to look to closely to find that politics are not far beneath the surface. The film successfully exposes and plays with homophobia and human values on many levels in a humorous and entertaining way. In The Opposite of Sex, Roos pokes all our tender spots until he gets the reaction he wants. - John Cooper 1998 Sundance Film Festival Velvet GoldmineUK 1998 123minDir: Todd Heynes London in the early 70s was a time when the rock and roll lifestyle defined itself. Drugs and sex were indulged to excess and cocktails of both were mixed with no thought of the consequences. Hedonistic pleasure and divine decadence were the order of the day. At the epicentre of this whirling hurricane was Brian Slade (Jonathan Rhys-Myers), a mythical David Bowie-esque British rock god who drove Britain wild with his bisexual lifestyle and controversial. At the height of his fame, Brian finds himself cruising the night-spots of Warhol's New York, where he meets Kurt Wild, A Glam rock junkie modelled on Iggy Pop, his alter ego and possible nemesis. But then suddenly, after a publicity stunt goes wrong, Brian disappears - until fifteen years later, when journalist Arther Stuart is assigned to the job of finding out what happened to Slade. Framed by a complicated avowedly Citizen Kane device, Stuart interviews all the people who knew Slade in an attempt to recreate his life including his now ex-wife, in the most explicate reference to Orson Welles' 1941 masterpiece. Glam has never really been done on film and this gives Velvet Goldmine an edge. Haynes has recreated the era beautifully, and it isn't just a nostalgic trip to glorify the music of his youth but suprisingly rich in content as well. Michael Stipe, singer for the band REM, not only co-produced the soundtrack, but is also an Executive Producer of the film. He has assembled the who's who in today's music world with Pulp, Shudder to Think and Grant Lee Buffalo providing new songs for the film, while numerous others contributed in performing covers of Brian Ferry, Brian Eno, Iggy Pop, Gary Glitter, Marc Bolan and Joe Cocker from the period. Ewan McGregor and Jonathan Rhys-Myers actually perform the vocals of their character songs and word is that it won't be long before they actually bring out their own records. - film finesse SHORT FILMSThe Canadians are renowned for their short films - witness all those fascinating shorts courtesy of the Canadian National Film Board. In that tradition, from the Canadian Filmmakers Distribution Centre, come three compilations of the best short films available - one for boyz, one for girls and one for all and all for one... Witty Shawna Dempsey's 'We're Talking Vulva' and 'Good Citizen: Betty Baker', Frank Hoolboom's 'Frank's Cock' and Wrik Mead's 'Cupid' can only serve as an inspiration for aspiring filmmakers in this country.
Films for one and allOUT&OUTCUPID 3min 1998 dir Wrik Mead - Cupid gets beaten at his own game. WE'RE TALKING VULVA 5min 1990 Shawna Dempsey - The ultimate vaginal celebration. LEFTOVERS 8min 1994 Janine Fung - Turkey and the truth are served at the filmmaker's family Thanksgiving dinner. WHY I HATE BEES 5min 1997 Sarah Abbott - A comedic journey into a tomboy's memories of near death. SURVIVING MEMORY 9min 1996 Ellan Flanders - A Jewish woman paints the future by recounting the past. ALONE 20min 1996 Jason Romilly - Three short stories of despair and abandonment. DESTROYING ANGEL 32min 1998 - Two different stories of illness are weaved together through memory, landscapes and dreams. LETTERS FROM HOME 15min 1996 Mike Hoolboom - Beautifully arguing that regardless of our background, we are all HIV positive.
Films for boysCOCKTAILSHAVEN 2min 1992 Wrik Mead - Boy does boy. HOW THE HELL ARE YOU - A satirical look at American Culture. KISS MY CRUCIFIX 2min 1992 Gerad Betts - Live from San Francisco: His Divine Eminence. CLOSET CASE 4min 1995 Wrik Mead - Control? Pleasure? Queer Politics? Yes! FRANKS COCK 8min 1993 MikeHoolboom - A moving monologue about being born, living, fucking and dying as a gay man? THICK LIPS THIN LIPS 6min 1994 Paul Lee - A musical concerning racist homophobic violence. JIM LOVES JACK: THE JAMES EGAN STORY - 73-year old James Egan sues the Canadian government for legal recognition of his same-sex relationship of 45 years. FRUIT MACHINE 8min 1998 Wrik Mead - Hired by the Canadian Government in the 60s, Dr. F.R. Wake devises a test that will expose homosexuality. This doctor has a few secrets hidden in his bag.
Films for girlsLIPSERVICEBREAKFAST WITH GUS 8min 1997 Siobhan Devine - Gus the cat takes morning matters in his own paws. DAMES 9min 1997 Hope Thompson - Walking the walk and talking the talk is the name of the game for our girl Roxy. WHY I'LL NEVER TRUST YOU (IN 200 WORDS OR LESS) 11min 1995 Cassandra Nicolaou - What seems to be is not entirely so. EXPOSURE 8min 1990 Michelle Mohabeer - Exploring the issues of race, sexuality, and cultural identity. TINY BUBBLES 5min 1996 Bo Myers - A discreet sharing of secrets. KELTIES BEARD: A WOMAN'S STORY 9min 1997 Sara Halprin - The bearded woman speaks. MY CUNT 6min 1996 Australia Deb Strutt & Liz Baulch - The complications and implications of living with one. GOOD CITIZEN: BETTY BAKER 27min 1995 Shawna Dempsey - Homemaker Betty Baker discovers an exiting world of 100% Woman. TWISTED SHEETS 14min 1996 Chris Deacon - A bright and lively, romantic comedy of coincidences.
|
Home |
New |
Pick |
Top Ten |
Forthcoming |
Where |
Still Showing |
Feedback
© 1998 Zero 2 Infinity
Member of the ZA Banner Exchange