Two brothers on opposite sides of the law. Beyond their differences lies loyalty.
Not currently showing on the local cinema circuit.
Cast |
Joaquin Phoenix, Eva Mendes, Mark Wahlberg, Robert Duvall, Alex Veadov, Dominic Colon, Danny Hoch |
Director |
James Gray |
Screenplay | James Gray |
Music | Wojciech Kilar |
Cinematography | Joaquin Baca-Asay |
Editing | John Axelrad |
Sound formats | Dolby Digital, Sony Dynamic Digital Sound, DTS |
Soundtrack | Available |
Made in | 2007 |
Produced by | 2929 Productions, Industry Entertainment |
Official Site | IMDB page | ScreenIt Report
Trailer: Small | Medium | Large
Genre | Crime, drama |
Language | Strong, frequent |
Nudity | Mild, once |
Sex | Strong, once |
Violence | Strong, frequent, high impact |
Prejudice | None |
Blasphemy | None |
Drug abuse | None |
Comments | Strong and frequent druge use. |
These details are supplied by the FPB. If you have a problem with any of the above, please take it up directly with the FPB. Read the Classification Guidelines. |
Sex / Nudity |
Violence |
Blood / Gore / Gross |
Guns / Weapons |
Profanity |
Alcohol / Drugs |
Smoking |
Disrespectful / Bad Attitude |
Imitative Behaviour |
Frightening / Tense Scenes |
Jump Scenes |
Tense Family Scenes |
Music (Scary/Tense) |
Music (Inappropriate) |
Topics to talk about |
Scale (Max) | 20 | |
What the Critics say | ||
Cape Argus / The Star Helen Herimbi Overall the film is pretty cool. | 10 | |
Die Burger Francois Blom Baie drama, min aksie. | 10 | |
Cape Times Kevin Crust Weighty emotional scenes. | 10 | |
The Citizen Peter Feldman A high-voltage film that plays havoc with the emotions and keeps suspense and interest on the boil until the final frame. | 16 | |
24.com Christina Carstens | 5 | |
BBC Paul Arendt A solid, rather uninspiring police thriller, We Own The Night tackles familiar manly issues of loyalty and brotherly love, with added gunfights. | 10 | |
Chicago Sunday Times Roger Ebert This is an atmospheric, intense film, well acted, and when it's working it has a real urgency. | 15 | |
ReelViews James Berardinelli We Own the Night offers effective drama and enough suspense to ensure that audiences will stay put until the end credits roll. | 15 | |
Rolling Stone Peter Travers James Gray's pulverizing crime drama is unafraid to put its passions right out where it's easy to mock them. | 15 | |
ScreenIt We Own the Night isn't different, polished, or good enough to stand out from the crowd, regardless of what era in which it exists or tries to emulate. | 8 | |
Metacritic.com 33 critics | 12 | |
Rottentomatoes critics 122 critics | 12 | |
Rottentomatoes tomatometer Tomatometer Bland characters, clichéd dialogue and rickety plotting. | 11 | |
What the People say | ||
Internet 5768 Netizens Awesome movie but don't expect to see an unofficial Departed sequel | 15 | |
Average .. 59% | 12 |